According to Salvador Dalí, these objects have a minimum of mechanical meaning, but, when viewed, the mind evokes phantom images which are the result of unconscious acts. One of the types of objects theorized in surrealism was the phantom object. The object began being thought of not as a fixed external object but also as an extension of our subjective self. In the mid-1930s André Breton wrote about a "fundamental crisis of the object". The surrealists related theories of psychology to the idea of creativity and the production of art. The result is a deconstruction of the psychological concept of identity, such that subjectivity becomes the primary aspect of the artwork. The technique consists of the artist invoking a paranoid state (fear that the self is being manipulated, targeted or controlled by others). He employed it in the production of paintings and other artworks, especially those that involved optical illusions and other multiple images. The paranoiac-critical method is a surrealist technique developed by Salvador Dalí in the early 1930s. JSTOR ( October 2010) ( template removal help).Unsourced material may be challenged and removed.įind sources: "Paranoiac-critical method" – news Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification.
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